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De Point

by Wackelkontakt

supported by
snoodbearg
snoodbearg thumbnail
snoodbearg Eine Wackelkontakt-Performance überschreitet die Grenzen des Erwartbaren und bisher Erfahrenen. Wackelkontakt zu beschreiben überschreitet die Möglichkeiten des geschriebenen Textes. Zwischendurch scheint es angeraten das Konzert kurz zu verlassen um epileptischen Anfällen vorzubeugen. Verstörend, wahnsinnig, außerordentlich gut.
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1.
Pad Thai 05:12
2.
Zchut Kium 05:21
כולם יודעים את זה ואף אחד לא אומר לי ההתנהגות שלי זוועה בושה להיות אני לא יוצאת מהמיטה לא יוצאת מהמיטה לא יוצאת מהמיטה לא ברור איך אני חיה עם עצמי חיה עם עצמי כולם יודעים את זה אבל אף אחד לא אומר לי לא אומר לי אין לי זכות קיום זכות קיום אין לי
3.
DE POINT 05:57
What Are We To Make Of This Con Test Bet Ween The In Trests Of Ver Bal And Pic To Ri Al Rep Re Sen Ta Tion I propose that we histori- Size it and treat it not as a matter for peaceful settlements Under the terms of some all em- bracing theory of the signs but as a struggle that carries the Fundumental contraditions THE POINT THEN IS NOT TO HEAL THE SPLIT BETWEEN WORDS AND IMAGES BUT TO SEE WHAT INTERESTS AND POWERS IT SERVES [W.J.T Mitchell]
4.
Sigaryoth 05:07

about

WACKELKONTAKT is an A/V project by the Jerusalem based collective and ephemeral conceptual umbrella organization named Excessive Productions, consisting of Tomer Damsky, Eyal Lally Bitton and Marco Milevski.

Sound, light and space serve the collective as raw materials to create objects which manipulate spectatorship and criticize themselves and the rest. By an aesthetics of excess, multiplicity, intensity and deconstruction, the three examine extreme physical driving forces and their impact on the spectator experience. The state between being addicted to pop and consumption cultures and existential anxiety is the groundwork for the ensemble’s compositions, which are derived from the gaps and interactions in the immediate environment, intersecting cultural inspirations, symbolization and appropriation and mixing Patronizing Exoticism, Post-Orientalism, Psychotrap and Noise textures.

In a WACKELKONTAKT live show the audience confronts a brutal audiovisual flood that acts on all senses, and has to decide whether to struggle or let the body immerse in the experience. The presence of the light and the image steals the spectator's awareness, as the thicket of smoke and frequencies moves the viscera and proves the existence of the body.

In their debut EP the group presents a sequence of songs whose lyrics are based both on quotes of twentieth-century philosophy idols ranked as a hypsterized bible and on Mediterranean pop songs that deal with the basic ingredients of life itself, integrating individual depression with a global political questioning of the right to exist.

credits

released January 31, 2018

Marco Tomasin Milevski: drums & electronics
Eyal Lally Bitton: visuals & electronics
Tomer Tea Damsky: vocals & electronics

produced in OOMVABOREG studios by Excessive Productions, Jerusalem

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about

Wackelkontakt Jerusalem, Israel

Wackelkontakt [Slice, Lally & Tomasin] are an audiovisual collective based in Jerusalem, where they are deeply involved in the underground community as founding members of Excessive Productions and Studio Straus since 2013.

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